Education:

PhD
State University of New York -- University at Buffalo
Major field: English
Dissertation: Apostate, Sing This World Forth: Avant-Mythopoetic Encounters With Doubt, Chaos, and Community
Oral qualifying exams passed with distinction, 14 May 2008
Dissertation defense passed, 1 December, 2011
Degree conferral, 1 February, 2012
Committee: Tim Dean (chair), Diane Christian and Bill Solomon

MFA
Louisiana State University, 2004
Major field: Poetry
Thesis: My Maiden Cowboy Names
Committee: David Madden (chair), Sharon Weltman and Michelle Zerba

BS
Central Missouri State University, 2001
Major field: Speech communications
Minor fields: Creative writing, women's studies
Graduated Summa Cum Laude

Grants, awards & honors:

Capen Grant-in-Aid, University at Buffalo, 2009

Mark Diamond Research Fund grant, University at Buffalo, 2009

my maiden cowboy names, winner of the T. S. Eliot Prize, 2008; finalist in Tupelo Press's open submissions competition, 2007; finalist for the University of Wisconsin Poetry Series, 2007; semifinalist for the Colorado Review Poetry Prize, 2007; finalist for the Walt Whitman Award, 2006

GSEU Retention Award, University at Buffalo, 2007

Presidential Scholarship, University at Buffalo, 2005-2009

Louis Simpson Award for Teaching, Louisiana State University, 2004

Outstanding Creative Thesis Award, Louisiana State University, 2004

William Jay Smith Poetry Prize, 2004, judged by Beth Ann Fennelly, for a group of poems

William Jay Smith Poetry Prize, 2003, judged by Buck Downs, for "pastoral w/dirt under its fingernails"

Honorable mention, Stanley Hanks Memorial Poetry Award, for "an emancipation"

David Baker Poetry Prize, 2001, judged by Matthew Cooperman, for "what the sun does to delicate skin" and "year of the horse"

Honorable mention, Allegheny Review Poetry Prize, 2001, for "albatross"


Publications:

Book: my maiden cowboy names, winner of the 2008 T. S. Eliot Prize, judged by Grace Schulman; Truman State University Press, 2009 (preview)

Articles:
"The Psyche Effect: Theorizing Myth, Poetry and the Operations of Chaos" (10,000 words) forthcoming in English Text Construction (2012).
"'That same fire': Utopic Androgyny In H.D.'s Wartime Trilogy" (10,000 words), under consideration at Modernism/modernity.
"Perfected in Death: Death, Aesthetics, and T. S. Eliot's Impossible Communities" (10,000 words) under consideration at Religion & Literature.

Poems:
"horses," forthcoming in Allegheny Review, 30th anniversary issue.
"an art in its last days," "catalog after fine calamity," "pasiphae fucking the bull," "signed itself over silence (mockingbird & a sin to say it)," and "the world's littlest virgin goes to mars" forthcoming in Swink.
"catching half angel," "festival for her sister hanging from a hook," and "in script styled like a slice of pomegranate," Hotel Amerika, 11.1 (Spring 2012). 141-146.
"occasional for hollow bones," Boston Review July/August 2008. 12.
"'" and "work of laura," The Spoon River Poetry Review, 33.1 (Winter/Spring 2008). 33-35.
"graveyard lyric with kiss," Pleiades: a journal of new writing, 28.2 (Spring 2008). 22-23.
"medea," Pleiades: a journal of new writing, 28.1 (Winter 2007). 101-102.
"cow tipping," featured on Verse Daily, 2 Aug 2005.
"cow tipping," "of jilting blood," "on a boy named for war, enrolled in my afternoon comp class," "the space from polestar to dogstar," and "pastoral w/dirt under its fingernails," Chelsea 78 (June 2005). 63-70.
"days gravid," "singer of tales," "lark: to thieve as though in open country," and "highschool sweetheart," Inkwell, Spring 2005. 18-22.
"red*star," Natural Bridge no. 11 (July 2004). 43.
"what the sun does to delicate skin," Chautauqua Literary Journal 1 (June 2004). 64-65.
"Thirteen Ways of Looking at Kudzu" and "frog as a metaphor for sex," Arkansas Review 34.3 (December 2003). 190-191.
"coonass maenad," Natural Bridge 8 (January 2003). 150.
"from the wagon" and "honk for support," LIT 6 (2002). 31-32.
"albatross," Allegheny Review 19 (Spring 2001). 2.
"on five: a poem in tarot," welcome to the ragball, Kansas City, MO: Hammerpress (2001).
"at most three years," The Texas Review, v. XXII 3-4 (Fall 2001). 82.
"an emancipation," New Letters 67.3 (August 2001). 120.

Reviews:
Lyn Hejinian's Book of a Thousand Eyes, forthcoming in Rain Taxi (2012)
After Spicer, ed. John Emil Vincent, forthcoming in Pleiades: a journal of new writing (2012)
"Daze by Matthew Cooperman," ArtVoice 6.9 (14 Nov 2007). 44.
"Family Album," review of The Riddle Song and Other Remembrances, Rebecca McClanahan, American Book Review 24.3 (Mar 2002). 15-16.
"The Purplest Prose," review of Available Means: Women's Rhetoric(s), Joy Richie and Kate Ronald, American Book Review 23.5 (Aug 2001). 13
"Feminism's Bad Name," review of Arts of the Possible: Essays and Conversations, Adrienne Rich, American Book Review 23.1 (Mar 2001). 5, 8.

Interviews:

Predicate 2 (entirety of volume; PDF available for free at link). With Pablo D'Stair. Santa Fe: Brown Paper Publishing, 2010

Appearance on The Joe Milford Poetry Show, joemilfordpoetryshow.com, 30 Oct 2010


Conference & convention presentations:

"Boughs More Silent: Modern Epiphany in the Sonnets of Edna St. Vincent Millay," Modernist Studies Association, Buffalo, NY, 8 October 2011

"Calcined: Desire, Austerity, and Eliot's Bone Poetic," Conference on Literature and Culture Since 1900, University of Louisville, 25 February 2011

"Tradition and the Communal Talent: Eliot Among the (Early) Moderns," Annual meeting of the T. S. Eliot Society, St. Louis, MO, 24 September 2010

"Because Orpheus Was An Asshole: Jack Spicer's Headless Muse," English Graduate Student Association Works-in-Progress Colloquium, 21 September 2010

"The Psyche Effect: Theorizing Myth Through the Operations of Chaos," Tools of the Sacred, Techniques of the Secular: Awakening, Epiphany, Apocalypse and Doubt in Contemporary English-Language Verse, Universite Libre de Bruxelles, 4 May 2010

"Crossing on Doubt: Hart Crane's Bridge," Conference on Literature and Culture Since 1900, University of Louisville, 20 February 2010

Chair, Poets and Precursors, Conference on Literature and Culture Since 1900, University of Louisville, 18 February 2010

"Mr. Eliot's Saturday Evening Service: Faith, Community, and the Turn to Drama," Annual meeting of the T. S. Eliot Society, St. Louis, MO, 27 September 2008

"That Same Fire: H.D.'s Poetics of Androgyny as a Response to War," Conference on Literature and Culture Since 1900, University of Louisville, 22 February 2008

"Crossing on Doubt: Hart Crane's Bridge," Graduate Poetics Group Works-In-Progress Colloquium, University at Buffalo, 19 February 2008

"Bonafides in House of Horne: Making History in Ulysses," Graduate British Studies Group Colloquium, University at Buffalo, 12 April 2007

"With the Bare Hands: Replying to Greek and Latin In the 21st Century," on panel titled "Translation as Response," Giving Attention: Writers, Scholars, Theorists, University of Denver, Denver, 9 October 2005

"Writer/Critic; Writer-Critic: Straddling the Creative/Theory Divide," on panel titled "The Hats We Wear: Navigating Multiple Roles as Graduate Students in Writing," Associated Writing Program annual convention, Chicago, IL, 26 March 2004

"The Generic She," on panel titled "Engaging the Bitch Stereotype: Competitive Debate's Gender Troubles," National Communication Association's annual convention, Seattle, 17 November 2000


Invited lectures:

"Poetry Inside Out," seminar, workshop and poetry reading for TRIO's Enjoy Reading and Writing series, Danville Area Community College, Danville, IL, 30 October 2008

"The Divine In and Out of the World: Changes In Mythic Ontologies," Danville Area Community College, Danville, IL 30 October 2008

"Chaucer's Adaptation of Source: It Out-Ovids Ovid," University at Buffalo, 28 September 2007

"To Whom We Owe This Pleasure: Personae and Play in Plath and Sexton," University at Buffalo, 23 April 2007

"Tracing Back: Writing, Influence, and Inheritance," Louisiana State University, 8 November 2004

"The Tyrant's Grasp: Kingship, Gender, and Power in Macbeth," Louisiana State University, 29 October 2004


Poetry readings & residencies:

Poet in Residence, Alums Returning Series, University of Central Missouri, 10 April 2012.

TSUP Authors Reading, AWP (offsite reading), Fine Arts Center, Chicago, IL, 1 March 2012.

Buffalo Infringement Festival (with David Anderson, as pas de hors-texte), 29 July, 1 August, and 3 August 2011.

Poetry reading, Louisville Conference on Literature and Culture since 1900, Lousiville, KY, 25 February 2011.

Poetry reading for the Truman State University Press 15th Anniversary Reading at the Associated Writing Programs conference, 5 February 2011.

Poetry reading, Tools of the Sacred, Techniques of the Secular: Awakening, Epiphany, Apocalypse and Doubt in Contemporary English-Language Verse, Universite Libre de Bruxelles, 6 May 2010

Poet In Residence, Virginia Wesleyan College, Norfolk, VA, 17-18 November 2008

Poetry reading to launch my maiden cowboy names at 790 Lafayette Ave, Buffalo, NY, 17 October 2008

Poetry reading at Fort Gondo art gallery, St. Louis, MO, with Michael R. Allen, for Rust Belt Readings, 26 September 2008

Poetry reading at Hallwall's Center for the Arts, Buffalo NY, with Paul Hoover, for Poetics Plus, 5 December 2007

Poetry reading at Big Orbit Gallery, Buffalo, NY, 4 February 2006

Inaugural poetry reading for the Eulexia Poetry Series, Baton Rouge, 8 November 2003

Poetry reading for the Everett Maddox Memorial Poetry & Prose Reading Series, The Maple Leaf Bar, New Orleans, 8 June 2003

New Delta Review benefit reading, 18 October 2001

Poetry reading for the gallery opening of welcome to the ragball, Joseph Nease Gallery, Kansas City, MO, 6 April 2001


Appointments:

Web content developer, University at Buffalo School of Medicine and Biomedical Sciences, 2010-present

Instructor, D'Youville College Department of Liberal Arts, 2009-2010

Founder, publisher & coordinator: dove|tail poetry and chapbook series, Buffalo, NY, 2006-present

Managing editor, The Emily Dickinson Journal, 2006-2007

Graduate teaching assistant, Department of English, SUNY-Buffalo, 2005-2006, 2007-2009

Instructor, Department of English, Louisiana State University, 2004-2005

Founder & coordinator, Eulexia Poetry Series, Baton Rouge, LA, 2003-2005

Graduate teaching assistant, Department of English, Louisiana State University, 2002-2004

Managing editor, New Delta Review, Louisiana State University: 2001-2002

Co-instructor, Women's Studies Department, Central Missouri State University, 2000

Assistant editor, Pleiades: a journal of new writing, 1998-2001


Teaching Experience:

Introduction to Poetry: Spring 2010

Introduction to Drama: Spring 2004

Introduction to Writing Poetry: Spring 2005, Fall 2003

Introduction to Writing Short Stories: Summer 2008, Spring 2008, Fall 2004

Writing About Literature II: Spring 2010, Fall 2009 (2 sections)

Advanced Composition: Fall 2007

Composition II: Spring 2006, Spring 2005 (3 sections)

Composition I: Spring 2009, Fall 2008, Fall 2005, Fall 2004 (3 sections), Summer 2004, Fall 2003, Summer 2003, Spring 2003, Fall 2002

Race, Class, & Gender: (co-instructor with Jim Schnoebelen), Summer 2000


Service:

Graduate Student Voting Member, University at Buffalo Department of English, 2005-2009

Summer Support and Literature Course Committee, University at Buffalo Department of English, 2008-2009

Graduate Review Committee, University at Buffalo Department of English, 2006-2007, 2008-2009

Graduate Admissions Committee, University at Buffalo Department of English, 2007-2008

Editor, EGSA newsletter, Louisiana State University, 2003-2004


Work in progress:

The Magpie Picks Her Whims, poetry manuscript

Dissertation: Apostate, Sing This World Forth: Avant-Mythopoetic Encounters With Doubt, Chaos, and Secular Community

"Attic Grace: The British Museum and the Advent of Modernism"

"Because Orpheus Was an Asshole: Jack Spicer's Headless Muse"

"For She Had Her Work: Autonomy and Sacrificial Aesthetics in To the Lighthouse and A Room Of One's Own"

"A Heap of Broken Images: The Post-Imagist Long Poem"

"First Lessons In House of Horne: Making History in Ulysses"

"The Lunatic, the Lover, and the Poet: Who Speaks? Between Poetics and Psychosis"